Filmmaker Magazine -
18 May 2025 19:45

Though Wes Anderson's last consensus-acclaimed feature was 2014's The Grand Budapest Hotel, his subsequent, progressively more divisive films have been profitable enough to emerge at a regular clip. I'm guessing this is thanks to the purchasing power of elder millennials who had Rushmore and Royal Tenenbaums imprinted on them in their teen years and now faithfully show up for each new work. For those unshakeable fans, myself included, the question of whether Anderson's entered an era of baroque ...
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